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We meet its contributors, including the photographer who turned her vagina into a camera. Known for her fantastical creations, artist Marnie Weber takes us through her multifaceted practice from her beginnings in music to her current work on sea witches. Her narrative-derived process, deeply embedded in the subconscious, is highlighted here in her studio visit. Frontrunner editor Shauna Mason talks to two of her artistic icons: Deb Kass and Betty Tompkins; old-school conference-call style.
The drawings, accompanied by each subject's story, are on view at the Boca Raton Museum of Art. The knitter and artist, who entered the public consciousness during the Bush era, is making new work that is as politically potent as ever. Cuteness is the first aesthetic most of us encounter in life. We are exposed to it as babies, through consumer goods, even before we are conscious of what we are seeing. Simply defined, a cute object is typically one that resembles a baby human or animal.
The gesture of a face combined with soft textures, rounded forms and cheerful colors produces a tender and vulnerable feeling that inspires the desire to care for and protect.
Cute objects are compelling because they are approachable, but, more importantly, because they can be possessed. Now living in Los Angeles, Auerbach is an artist working with language and communication.
