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In many ways, Penelope One and Penelope Two were more like mood boards than collections of actual songs, with hazy soundscapes and richly emotive albeit somewhat unintelligible vocals, her reverb-soaked melodies drifting like tendrils of smoke in a dimly lit room.
There was a distinct sense of intimacy to those records, and Trappes luxuriated in the quiet as she reckoned with love, loss, and the frustrations of growing older in a youth-obsessed industry. Trappes is now in her forties, an age when the music industry—and popular culture in general—tends to start nudging women aside, or ignoring them altogether. Penelope Three pushes back, but not by delivering facile empowerment anthems.
Trappes simply takes ownership of who and where she is in life, ruminating on family, femininity, motherhood, and her own body, regardless of whether or not society is interested in those things. Perhaps some lo-fi charm has been lost along the way, but these are proper songs, and Trappes has centered herself in the narrative while solidifying a sound that was already spellbinding to begin with. Buy: Rough Trade. Catch up every Saturday with 10 of our best-reviewed albums of the week.
Sign up for the 10 to Hear newsletter here. You can unsubscribe at any time. Buy: Rough Trade Pitchfork earns a commission from purchases made through affiliate links on our site. Shawn Reynaldo is a Barcelona-based editor and journalist who specializes in electronic music. Penelope Two. Realistic IX. Cellophane Memories. Kampire Presents: A Dancefloor in Ndola.