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In his photographic portraiture of the male body, Kari Soinio studies masculine corporeality, body language, sexuality and identity and looks at the ways perception and recognition operate through visual representations.
His auto-portraiture-based work takes a critical look into masculinity and femininity in maleness, showing ambiguous bodies with traits of both and in doing so addresses and challenges masculine complacency and self-importance. His work is more questioning than giving answers, more provoking than seducing, and more aiming to challenge than trying to frame simple answers.
The presence in his photography is strong. The body in the images becomes the one, which is both looking at you as a viewer, and simultaneously makes its own subject the mysterious one. The portraits are saying, you can look at me now, but here is the movement, which does not create passivity of an object. Generally, one can suppose, a man who is portrayed, stands for a cultural hero, often a superhero. We can imagine man and his sports, man in the wilderness, man in action, man doing his duty, man and the muscular body, man and a celebrity status, man and nature, man and the urban life, man and his gadgets, man in his clothing, man in his business suits.
The list is endless when we think about it. In the Western art world, we tend to think a man of modernism is someone who is portrayed as part of the bourgeoisie. Now, self-portraiture is an interesting sport itself, how to present your own body, how to create the gaze, how to, simply, pose? How about a naked man? Is there a controversy regarding the subject? Seeing naked men in portraits is still quite a taboo outside the art-context.
