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Willemer Prize. Kathrin Stumreich provides some background about her work in the following interview. Kathrin Stumreich: Chrystal Tesla is the fictitious daughter of Theodore Kaczynski, a mathematician who went on to become the notorious Unabomber. Oscillating between her technophile and technophobe tendencies, she builds objects and develops practices to protect her privacy. Her radius of action is restricted by her ability to finance her activities, but also determined by the extent of her knowledge, her degree of commitment and level of self-empowerment.
Chrystal actively deploys her technical insights and artisanal skills to take full advantage of the possibilities afforded by this radius. Accordingly, she builds absurd yet rationally thought-out objects and orders their deployment within her idiosyncratic system of thinking. She goes into a spiral that drives her to act and create. Credit: Kathrin Stumreich. Kathrin Stumreich: Both devices have a media archeology connection.
Chrystal Tesla builds them with the intension of acquiring tools with which she can defend herself against surveillance and, at the same time, keep tabs on her own surroundings. The copper fabric completely shields off the 2. Then, the data that even manages to get outside the cage are shredded—in the case of a video, just a bunch of glitches.
These disturbances are matters of great importance to Chrystal. The Laser Microphone is based on an invention by Graham Bell, who had early success transmitting sound via a light source, and then on the work by Leon Theremin for the Soviet espionage agency. He applied this principle in conjunction with an infrared light source aimed at a window pane to eavesdrop on what was being said behind the window.