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In the poem, the Duke of Ferrara uses a painting of his former wife as a conversation piece. The Duke speaks about his former wife's perceived inadequacies to a representative of the family of his bride-to-be, revealing his obsession with controlling others in the process. Browning uses this compelling psychological portrait of a despicable character to critique the objectification of women and abuses of power.
She thanked men—good! There she stands. Such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say? My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least.
This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me! Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem. Chris de Burgh, "The Painter" — Chris de Burgh a Northern Irish singer-songwriter, best known for "Lady in Red" wrote a song from the perspective of the Duke of Ferrara about his former wife, in which the duchess was having an affair with Fra Pandolf.
Note how he emphasizes the conversational quality of the poem. Nikolaus Mardruz to his Master Ferdinand, Count of Tyrol, by Richard Howard, — This poem by American poet Richard Howard provides the Ferrara's guest's perspective on the meeting between himself and the duke.