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After her death, publications about Portuguese artists celebrated her and marveled at the novelty of a woman artist. This painting of the Christ Child as Salvator Mundi meaning savior of the world is one of several versions that she painted near the end of her life.
Ayala painted Jesus as a toddler standing on a pedestal. He looks at the viewer and makes the sign of blessing while holding an orb and a flag. The sphere, divided into three parts, represents the Earth with the three continents—Europe, Africa, and Asia—that had been known to Europeans prior to their arrival in the Americas in the late 15th century.
The orb surmounted by a cross also represents Jesus as the savior of the world. Above the crown of flowers on his head is a subtle halo composed of radiating rays of light. Transparent lace covers his otherwise naked body and a rich mantle is draped around his back. The bright colors of the figure, pedestal, and curtains contrast with the black background. This dramatic lighting and attention to reality effects replicating observed reality are characteristic of the naturalistic Baroque style that was popular during this period.
At her birth in , Portugal was under Spanish rule , and only regained some of its former wealth and power after several decades. Nonetheless, Ayala worked in a region with wealthy art patrons. In fact, many of her artworks were made for patrons in Coimbra. As was common for women artists in Europe, Ayala learned to paint from her father, Baltazar Gomes Figueira.