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In celebration of all things puppety… and puppets are always being celebrated at the Artlog… here is an image of Peter recently excavated by his sister Sally from a cache of Wakelin family photographs.
From the look of it made in that great tradition of the Blue Peter generation, from an empty cereal box. Enthusiasts for all things puppety, Phlippa Robbiins and I are in the early stages of our first collaboration as artists.
On Friday evening we met at her home in Penarth for a de-brief of the trip, and she presented me with a vintage puppet head acquired in Palermo. Clearly stern, but not I think an out-and-out villain. As a part of my ongoing exploration of puppets and puppet-makers here at the Artlog, today I offer an interview with the Czech-born puppet-maker Jan Zalud.
Jan, you were born in Prague, a city synonymous with puppets. Are there other members of your family who are wood-carvers? I confess to a prejudice. I can sympathise with that. A wooden puppet feels traditional, and is handmade. If it is carved as opposed to cast it is unique. Wood is just a fantastic material to manipulate, it can be shaped as you wish, has a warmth to it and of course is very durable. Undoubtedly tourism, while vital in economic terms, has a way of reducing any culture to what may more readily be packaged and sold.