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WILD THING , from award-winning Australian writer Suzanne Hawley , brings the intertwined tales of four women in their sixties to the fore, in a provocative story for our times that is as funny as it is poignant.
Can you tell us a bit about that? She was - as she is now - brilliant, bold and completely unique. The themes of the play are ever present on the rehearsal room floor. The ease and genuine joy of working together again make this play fly high. We wanted to work together again. And I remember reading 'Wild Thing' only a month or two earlier.
We are now without our marvellous Penny sadly, Penny Cook passed away in , but we have the play. And four real female friends to tell it. We took it. January saw us rehearsing at NIDA, one of the most rewarding rehearsal periods of my career. Not only because it was thrilling to produce and new play, but because the cast and creatives I had in front of me made that magic mix of a perfect company. It was a great room to be in. We laughed SO much, and argued SO hard - the way actors, writers and directors do - for the moments we loved and the characters integrity.
Our friends and our stories are so important and we all have them and all want to hear them but whose stories do we usually hear? But when you think about it, who goes to the theatre? Older women, right? So why are their stories so rarely told? Lots of reasons. But now the group is in their sixties, and my character Jackie finds herself in a bit of a crisis, so the "Musketeers" take Jackie back to her country home for a weekend to relax and let their hair down.