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His review led me to expect something much worse than I found. The film is about friendship, and friendship is often a happy accident and that is the case in this film, in which a widow who has moved into a London hotel trips on a sidewalk in front of the basement apartment in which a young writer is living.
Joan Plowright is the widow, Mrs. Palfrey, and Rupert Friend is the writer, Ludovic, and they create an intergenerational friendship in which small favors and kindnesses mean much.
Joan Plowright is hopeful but honest, and nurturing without being smarmy, and Rupert Friend is caring, earthy, masculine, and sensual. Friend, who reportedly studied at the Webber Douglass Academy of Dramatic Arts, gives a performance that is well-modulated: though he has a romantic aspect, he never says or does anything that indicates his relationship with the older woman might become at all inappropriate. This is a sweet, intelligent film about a rare friendship in which an important and somewhat painful fact is not denied: loneliness, the loneliness of age, and the loneliness of a young impoverished creative life.
Gordon Warnecke was a real find in this film, but, of course, it was not the brown boy but the pale one who went on to fame and fortune: Daniel Day-Lewis. Nasser has a superstitious Indian wife and an English woman as his mistress, and his daughter is frustrated, looking for love or purpose. The film has all the comedy and drama, all the lucid and vivacious life, one wants in a film and it also suggests the richness of a novel and the relevance of a political essay.
