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Menu All All. Sign In. Brick Lane Hide Spoilers. As I started watching Brick Lane my heart soared. The beauty of its appreciation of nature Bangladeshi scenes from the lead character's memory reminded me of the masterpieces of Deepa Mehta if not of Satyajit Ray.
It tells of a young girl whose father marries her off to an educated Bangladeshi back in London. Displaced from her homeland, her heart is full of secret sorrow until she finds herself attracted to a man younger than her husband and much closer to her own age. From that point she begins much soul searching, examining her own identity and place in the world.
That search, rather than the bricks and mortar of the street, is at the heart of the story. A beautiful love story develops, with a subplot about resisting Islamic extremism. Yet I soon felt as if I were watching a kind of updated Jane Austen novel where the Brick Lane East London Bangladeshi community were used simply to provide a fresh plot device. I read some of the adverse comments from Brick Lane spokespeople that plagued the film's opening. I didn't feel I could relate to them. I found nothing offensive in the film.
Except it seemed to me somehow a curiously British portrayal of Bangladeshis. There is plenty of reference to Bangladeshi or Muslim issues but authenticity seems a little uneven.