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Jacques Demy Cover. For many years, when people would think about the French New Wave film movement that revolutionized the world of cinema in the late s, their thoughts would drift to the most famous names—Godard, Truffaut, Rivette, Chabrol, Resnais and others.
One name that rarely came up in the conversation, however, was that of Jacques Demy. Even though he was making films during that time and achieved some degree of international success, many observers considered his contributions to be either too tangential or too dependent on Hollywood traditions and his own self-created cinematic universe to fully embrace the formal radicalism of the movement.
In fact, when he was discussed as part of the New Wave, it was often because of his marriage to Agnes Varda , a filmmaker whose work was more firmly entrenched as part of the approach, and that semi-snubbing continued until he passed away in at the age of One of the reasons why his films were often dismissed back in the day, despite or perhaps because of their commercial success, was because his work seemed to some observers to be insular and out of step with that of his colleagues.
While they were out challenging the ways in which films could be made and the stories they could tell, Demy was content to create a largely self-contained universe in which everything was just a little more heightened than in real life, and where the stories referenced such equally stylized genres as musicals and fairy tales.
