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In this contribution, we draw on findings from a non-formal, community music project to elaborate on the relationship between the concept of eudaimonia , as defined by Seligman, the interactive dimensions of collective free improvisation, and the concept of collaborative creativity.
Between and data was collected through open interviews and video recordings of rehearsals and performances. Participant data was analyzed through inductive analysis based on the principles of grounded theory. One interesting finding was the discrepancy in the participant interviews between social relationships indicative of a negative affect about social group interaction versus strong feelings of group coherence and belonging.
Video recordings of performances and rehearsals showed clear enjoyment and pleasure while playing music. Alongside verbal reflection through one-on-one interviews video recordings and analysis of moment-to moment observations should be used, in order to capture the complexity of community music projects with homeless people. Overall, we observed more focus on Relationship sense of belonging , Engagement flow in rehearsals and performances and Meaning belonging to something greater than yourself and less on Positive Emotion and Accomplishment goal setting.
According to Seligman , well-being is related to eudaimonia , whereby flourishing emerges from the combination of Positive Emotion, Engagement, Relationships, Meaning, and Accomplishment. All of these components merge in joint music making, thus increasing the potential positive impact of focusing on well-being Hargreaves and Lamont, ; Lamont et al.