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Over the phone, Lear deBessonet sounds almost like a Shakespearean invention herself. She has the name, for one. But it's her cadence, too—clipped, rich, more spirited and vibrant than perhaps our mid-week interview deserves.
DeBessonet is the artistic director of Public Works, an initiative of the Public Theater that invites New Yorkers from all five boroughs to participate in workshops, take classes, attend performances, and even join in the planning and staging of extravagant participatory theater productions.
This summer, she's limited her scope, somewhat, or at least the number of people in her cast: she's the director of A Midsummer's Night Dream at the Public Theater's Free Shakespeare in the Park series, which opened to audiences earlier this week and—let's just make this clear immediately—is a complete and utter delight. The way deBessonet tells it, she landed at Public Works following "a very intent"—and prolonged —"feeling that the exclusiveness, the demographic monotony of the theater was a real bummer.
She was just 25 and pulled it off. She worked with local organizations to distribute the tickets. She filled thousands of seats in theaters all across New York City.