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Published in Aug. This interview first appeared on Wired. Visit g eeksguideshow. Your new book is called The Serpent of Venice, and it features the return of your character Pocket, who first appeared in your novel, Fool.
Tell us about Pocket. Well, Pocket is based on the fool from King Lear. I originally wanted to do a book about any fool, a generic fool, because of that very reason. So not only is he not very powerful politically, he refers to himself physically as a bit of a soggy kitten. God, I love the internet. At any given time, he will go off on an obscene rant at any given character. It really would have been how fools in the Middle Ages would have behaved. They may have been very smart and very quick, but they were not high-minded and the sense of humor was not high-minded.
Essentially, I started with the premise. It took off from there. It started with the setting and moved into what I could do with these other works. Then there has always got to be some weird supernatural thing going on, and therefore, the serpent. So it was just trying to figure out how to make all those elements come together. History really worked to my advantage because I had set Fool in the late thirteenth century and what was happening in Venice in the late thirteenth century was really interesting.
Politically, the Venetians had made a lot of money by being the facilitator for the Crusades. They became the power of the Mediterranean because they could ship soldiers, goods, and weapons to the Holy Land. In the Fourth Crusade, at the beginning of the thirteenth century, they really became a maritime power.
