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A bank of seventeen small video screens mounted on pegs grow out of the gallery wall like mushroom spores. Each screen projects a talking head: man, woman, young, old, black, brown, white, all musing on the future. The kaleidoscopic installation is named Conversation Piece and is made from interviews conducted at the turn of the millennium across five continents, by futurist Dr Maya Van Leemput and photographer Bram Goots, who work together under their organisation Agence Future.
Each participant, turned into a talking head, was asked about their ideas, images and feelings about personal, local and global futures.
Some are very academic and erudite, some are passionate, some reflective. A Navajo elder talks of how his ancestors communed with the spirits; conjuring up visions of futures. That would be me, I reckon. I have to admit to being somewhat obsessed by the past. The tradition of all dead generations weighs like a nightmare on the brains of the living. The work of a dozen or so contributors were grouped under four categories first articulated by the father of Futures Studies, Jim Dator, who in founded the Hawaii Research Center for Futures Studies at the University of Hawaii at Manoa.
Dator recently wrote:. Our long experience in the futures field has convinced us that it is not possible to predict the future.