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Josephine Baker and Mercedes Bapt Based on the analysis of the trajectory of two dancers, Josephine Baker and Mercedes Baptista, this article proposes a reflection on the concept of stereotypes as per Stuart Hall. Being Black women, categories were applied to their movements without further depth: for Josephine, there was the identification with primitive dances; for Mercedes, the lack of recognition of a Black body in a leading role in classical dance.
The ways in which they dealt with stereotypes and became agents of their bodies, and the marks they left in the western society will be the objects of analysis.
There was always a distinction, guided by the concepts and rules of European society, which placed itself in a superior place or more evolved than the others, especially when it came to colonized spaces, such as the African and American continents, or little known, as, for example, in the case of Asia.
The primitive subjects should be studied, analyzed and civilized, whether by the sword, the cross or good manners. The divisions became even more visible when such objects were taken to Europe and stored in museums. Unlike the objects — classified as works of art — produced by Europeans, those executed outside European geographies were destined for ethnographic and anthropological museums.
