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Deus Ex Machina is an exhibit assembled from international submissions considered on a competitive basis by a broad jury and curatorial process. A popular story proving the mythical power of photography is the one which recounts indigenous natives' reactions to the process of having their image taken and reproduced on paper. They believed by taking their picture the camera was stealing people's souls. Of course modern society is numb to such apparent superstition.
However, some truth may be at its core - the camera captures a unique transfer of light from the surface of the individual, and freezes it in a two-dimensional stasis, unmoving and unliving, a fragment of time and light. We are beholden to the primary source of light in our lives, the sun, and whether we admit it or not it is an unquestionable deity, a giver of life, and a destroyer. With this exhibit Manifest explores how photography can not only capture divinity using light , but also how it produces art objects that somehow replicate the living energy, the positive life-centered sublime and perhaps momentary experience, despite its non-living transitory nature as an art object.
For this competitive project, Manifest received entries from artists from 28 states and 9 countries. Our six-member jury winnowed the submissions down to a pool of semifinalists, from which guest-curator Dennis Kiel selected the final 13 works for inclusion.
All of the winning entries have the qualities that I look for in a good photograph. They are visually engaging, thought provoking, and in different ways, challenge the viewer to take a closer look and ultimately make those discoveries they never thought were there.