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Manga , in the sense of narrative multi-panel cartoons made in Japan , originated from Euro-American-style cartoons featured in late 19th-century Japanese publications. Historians and writers on manga history have described two broad and complementary processes shaping modern manga.
Their views differ in the relative importance they attribute to the role of cultural and historical events following World War II versus the role of pre-war, Meiji , and pre-Meiji Japanese culture and art. One view, represented by other writers such as Frederik L. Schodt , Kinko Ito, and Adam L. Kern, stresses continuity of Japanese cultural and aesthetic traditions, including the latter three eras ; [ 3 ] [ 4 ] [ 5 ] [ 6 ] the other view states that, during and after the occupation of Japan by the allies — , manga was strongly shaped by the Americans' cultural influences, including comics brought to Japan by the GIs , and by images and themes from U.
Writers stress continuity of Japanese cultural and aesthetic traditions as central to the history of manga. They include Frederik L. Schodt, [ 3 ] [ 18 ] Kinko Ito, [ 4 ] Adam L. Kern, [ 5 ] [ 6 ] and Eric Peter Nash. However, others like Isao Takahata , Studio Ghibli co-founder and director, contend there is no linkage between the scrolls and modern manga.
Schodt and Nash see a particularly significant role for kamishibai , a form of street theater where itinerant artists display pictures in a lightbox while narrating the story to audiences in the street. She describes how this tradition has steadily produced new genres and markets, e.
