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The white writer accomplishes this evasion by projecting the psychic material of whiteness onto their representation of a phantasmatic Black body, overdetermining it.
The arc of my reading neither seeks to charge Bishop with racial animus nor to exonerate her from charges of racial insensitivity. Such a movement seems like a rather small one on the page, visible only in minor rhetorical and perspectival shifts from poem to poem. My contention, however, is that the identificatory and affective mechanisms that these minor shifts disclose are operative on the deepest levels of self-fashioning, not only for Bishop, but for many white people myself included whose politics and lives skew progressive and cosmopolitan according to the standards of their times.
More simply, fantasies of desire, broadly construed, offer themselves to many white people as sites wherein repressed racisms of various kinds may manifest. This fetishization simultaneously secures the identification of the white male homosexual with his own whiteness and obfuscates that identification by focalizing it through a fetishistic attachment to the body of the non-white male.
Whatever prompted this moment of grim humor has already dropped away, leaving only the comment, which has become part of the verbal information out of which Bishop might compose as Cootchie … said.
