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He regarded meat with fellow-feeling. We have a photograph of him gazing serenely out at us from between two sides of beef. Cloven carcasses—indeed, piles of miscellaneous innards—recur in his paintings. Basically, he liked whatever was inside, as opposed to outside, the skin. His favorite body part was the mouth. Once, in a bookshop in Paris, he found an old medical treatise on diseases of the oral cavity.
He bought the book and cherished it all his life. He said that he always hoped he could paint the mouth as Monet had painted sunsets. The moment that the mouth showed its insides most unashamedly, Bacon realized, was when it screamed. The mouth is open, screaming, and the teeth are a mess.
Bacon included that picture in his first major one-man show, in , in London. The critics had a field day at this exhibition. Bacon caught on in France faster than he did in England or the United States, but eventually he caught on everywhere. For the opening of a show in Paris, so many people showed up that the police had to close off the street.
During the few decades before his death, in , his celebrity doubled and redoubled, and it has gone on growing since. In , his triptych portrait of Lucian Freud set what was then a world record for an art work sold at auction—more than a hundred and forty-two million dollars. The pair won a Pulitzer for their biography of Willem de Kooning, and the new book is a comparable achievement.