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April 27, Reviews. Which is all the more reason to treasure the few films that not only attempt to adapt Willeford, but also get him right. He plays the character as an overgrown kid, whose attempts to fake being a grown-up clash with his poor impulse control and entrenched misanthropy. Miami Blues was produced by Jonathan Demme, who at one point was going to direct, and who gave the script to Baldwin while they were working on Married To The Mob.
Though Miami Blues suffers some from its dated score and its TV-like editing transitions corny-looking flips and wipes and such , the same wit and personality that made it a cult favorite in the s still goes over like gangbusters today.
The lone featurette on Shout! Both had been kicking around Hollywood throughout the s, mostly stuck in generic character parts that traded on their physical attractiveness. Miami Blues put both in the lead, giving them enough screen-time to add more depth and shade to two colorful people; and it also allowed them to get some separation from the other big roles they played around the same time, in The Hunt For Red October and Last Exit To Brooklyn.
Parker And The Vicious Circle. Savvy cinephiles recognized those moments as Baldwin and Leigh fulfilling the promise of Miami Blues. Newsreel Essential Podcast The Writers. Special features The lone featurette on Shout! GoWatchIt: Buy. Stream Miami Blues.