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Jones Amazon. On the sun-splashed street above, migrant laborers slurp down rice and tofu lunches, while clusters of office workers in crisp white shirts walk past the small sign on the sidewalk. But in the dark recess behind a display of foreign-brand toilet seats, a young woman descends a staircase into a place she knows only as " Passing through a pair of metal blast doors, the woman — year-old Sheng Jiahui, who goes by the nickname "Sammy" — moves deep into dimly lit corridors.
The bunker glows an unnatural shade of green. In its perpetual twilight, still evokes the deadening claustrophobia of war and communist revolution that snuffed out Shanghai's swinging heyday, when the mingling of East and West transformed the city into the Paris of the Orient. A door cracks open, and a blast of electric guitar erupts into the corridor. It is a serendipitous twist of history: The bunker, once the symbol of a wounded and cowering society, has become a breeding ground for Shanghai's music scene.
The rehearsal rooms at — the moniker is a phonetic combination of its street name and number — have helped incubate more than a hundred local bands, reinvigorating a culture that now, as before, blurs the East-West divide. Sammy sheds her jacket as the band lets loose. Orange, 20, pounds on the drums; Juice, 23, shreds chords at the speed of Shanghai's maglev train.
Sammy sings, and her bangs flop up and down in double time. The daughter of a traditional Shanghainese opera singer, she is taking her family's musical talent in a new direction. When Sammy isn't underground playing punk rock, she's often perched in the 24th-floor apartment she shares with four other single women in a new tower downtown. Back in , when she was born, her story building would have dominated the skyline; now hundreds are taller.
