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A resident of Sydney since , Hu Ming has held exhibitions here and in China, as well as in Germany and Singapore, with her paintings sold to buyers around the globe. In China, she showed her most ambitious work, the metre-long Relic of the New 87 Immortals, depicting a procession of Chinese women through the ages, inspired by a scroll painting of the Northern Song Dynasty.
However, her road to becoming an artist was not a direct one, and involved many years in the Red Army before eventually going to university to study art and moving to the West where she has continued to paint to great acclaim. Hu Ming grew up in China the daughter of two army doctors, who hoped she might follow in their footsteps. Like my horse, my mother has white hair and a kind smiling face, even in hard times.
In , at 15 years-of-age in Beijing Ming joined the army and became a soldier, where she spent the next twenty years of her life. During this period, Ming had numerous postings. It was the first time she had seen a nude and she was in turmoil — both fascinated, yet petrified of being discovered with this contraband. However, in the morgue, she learnt how muscles wrap around the bone, furthering her skills in capturing the human body in her art.
In she went to university to study art. In her whole class spent six months copying the famous 1,year-old cave paintings of the Buddhist Dunhuang grotto temples. The work was done on rice paper with only a simple battery torch to see inside the caves.
