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By utilising these frameworks, she aims to explore more nuanced understandings of identity and examine themes such as post-humanism, Otherness and diasporic memory. Through her art, Ba challenges traditional notions of identity and representation, and creates works that are thought-provoking and impactful. Her goal is not to flatten identity, but to challenge the notion of what it looks like and formulate a more complex way of understanding identity, which creates a tension in her work.
Her scenes astray from a larger hypothetical world visualised through her personal narrative imbued of a specific colour code intertwining between red and green. After that, you settled back in Columbus, Ohio. What are your earliest memories being in Hefei?
Are there any elements from that time that you like to draw back into your practice? How did you immerse yourself into the arts, especially within figurative painting? I have this specific memory of my grandmother dropping me off at preschool for the first time —back then, preschool was just a small, two-room building within the apartment complex where my grandparents lived.
When she left and closed the door behind her, I thought that it meant I would never see her again, and dread washed over me.