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Amrita Sher-Gil - left behind a substantial body of works done during her short, but productive career as an artist. The museum has in its collection a significant part of her oeuvre and some of these are displayed here in the exhibit.
Amrita Sher Gil flashed through the Indian artistic horizon like an incandescent meteor. Her place in the trajectory of Indian modern art is unquestionably preeminent. Her aesthetic sensibility shows not surprisingly a blend of European and Indian elements. Her mother, Marie Antoinette was a Hungarian. While her childhood years were spent travelling between India and Europe, she returned to India in the mid 30s of the 20th century with a wish to make India her home.
It was at this time her ways of seeing changed radically. Sher Gil looked at the Indian art traditions with a fresh eye and she gazed at the sad eyed people around her with empathy. She became excited by the Indian miniature traditions and as a consequence of her travels to the rock cut caves of Ajanta and Ellora and through South India, her visual language underwent a dramatic transformation.
Both the palette, which became saturated with intense reds, ochres, browns, yellows and greens, and her figuration expressed a new visual reality. But she interspersed these paintings of her land and its people with paintings that she practiced in Paris. The dichotomy is perhaps one clue to her complex persona. Sher-Gil was passionate about life drinking what it had to offer to the dregs.
