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Huangmei opera films, Shaw Brothers and Ling Bo — chaste love stories, genderless cross-dressers and sexless gender-plays? A long, long time ago, a young girl called Zhu Yingtai[1][ open notes in new window ] wanted to go to school. So she donned a male disguise, and went to a boarding school in Hangzhou. The next three years, they became the best of friends, studying and playing together, taking care of each other.
In the meantime, Yingtai fell in love with Shanbo. One day, she was summoned home. On the day of her departure, Shanbo walked with her for 18 li Chinese miles. Along the way, Yingtai dropped hints about her true sex, her love for him, and her wish to marry him, but to no avail.
They eventually parted at the pavilion where they first met. Later Shanbo visited Yingtai at her home. When he discovered that his best friend was a girl, he proposed marriage. But Yingtai's father had already betrothed her to the son of a rich man. Distraught, Shanbo left for home. He soon died of lovesickness. When Yingtai heard the news, she was sad. A storm started to blow furiously. The grave cracked open.
Yingtai leaped into it. After the storm, two butterflies emerged from the grave. They flew into the sky. The butterflies were the spirit of the two lovers. Yingtai and Shanbo thus lived happily ever after, as eternal butterflies. Chinese folklore has long immortalized this romance which according to lengends, happened some time during the Eastern Jin Dynasty era Their bittersweet story has been fodder for popular consumption — from Yuan-Ming plays in the distant past to contemporary dance, ballet, and musical.