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Qixin Zhang is an interdisciplinary multi-media artist and collaborative designer, creatively blending art and technology to craft transformative experiences. Her diverse background in architecture and media design for theatre encompasses both Eastern and Western influences. Her work resonates with rich cultural narratives and contemporary expressions. Originally from Fuzhou, China, she now resides in NYC, where her Fuzhounese cultural identity has become a subject for re-exploration.
Ker Chen is a multimedia artist who signals through creating virtual worlds and producing live experiences. Ker explores myths, fortune-telling, and AI algorithms to capture data points from the future and validate the present. Concerned with the simulation of sensations by endogenous chemicals, Ker strives to find elements of control within the invisible and chaotic aspects of existence, looking inward to the body, outward to the surrounding environment, and beyond to the external world. Dahlia Bloomstone attempts to address and reconcile specific modes of affective labor.
With humor, vulnerability, and political urgency, Dahlia surveys the technologies and economies around the social value and social implications of online and IRL sexual commerce and investigates relevant paradigm shifts. She is especially interested in conjugating the spaces of sex work, damask, healthcare, gold, using fishes as metaphoric main characters and activators to embed conversations of intertwined ecologies, and speaking to alternative value systems.
Their work centers on the questions: How do you remember? And what do you choose to forget? Through the act of remembering, Muse uses their body to map the lived experience of Africans in America. Muse channels trauma to connect with, process, and alchemize pain—both personal and collective—by creating multimedia visual and performance pieces that facilitate collective dreaming.