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To browse Academia. A Companion to Spanish Cinema, ed. Jo Labanyi and Tatjana Pavlovic. Paul Julian Smith. Rose Wei. Holy Motors has been ascribed with multiple interpretations. Speculation about the meaning behind the film has emerged since its debut at the Cannes film festival, These revolve around the baffling storyline and the context technology holds in, not just cinema but, contemporary society.
By shifting from genre to genre, Carax purposefully tries to confuse his audience: the French director protects his film from distinct definition with what appears to be a lack of narrative and, instead, creates a highly allegorical and illusory film. This seemingly irrelevant sequence is what makes the film so captivating and has scholars trying to dissect its illusive meaning.
The film won twenty-eight awards and gained sixty-seven nominations. The film can be interpreted in many different ways, but these facts cannot be repudiated. The inquisitive viewer might find Holy Motors leaves them questioning existence and the future of technology as machines are replaced just as much as people.
In addition, the art of cinema is enveloped in this illustration of cinematography. Whether it provokes philosophical contemplation or not, the film is an extension of the cinematic universe, according to Carax. In essence, this dissertation seeks to broaden, as well as provide sufficient evidence to support, interpretation.