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Arshile Gorky's diverse body of work was crucial to the emergence of Abstract Expressionism. He adopted the biomorphic forms of the Surrealist painters, but further freed those forms through the process of painting itself by emphasizing more lyrical color and personal content. By means of his unique approach to color and form, he was able to communicate to the viewer the painful childhood experiences of the Armenian Genocide as well as the pleasant and nostalgic sentiments he felt toward his lost homeland.
His work is also significant because it so directly reflects the cultural and historical milieu of New York in the s, where avant-garde artists from both the United States and Europe converged, and of the postwar period in general, when existentialist philosophy prevailed.
This philosophy proclaimed the absurdity of life at the same time as it called upon humans to take responsibility for creating their own meaning - which Gorky did by creating beauty out of personal tragedy. Gorky's early work The Artist and His Mother c. The treatment of the figures is reminiscent of Pablo Picasso's Blue Period paintings, evoking the same melancholic atmosphere through its palette, abstracted flatness and incompleteness.
However, the more immediate source for the painting is a frequently reproduced photograph of the young Gorky with his mother taken in Armenia around Contrasting the painting with the original photograph is a satisfying lesson in the appreciation of modern art. Such changes from the photograph to the painting as the almost painfully negative space that evolves between the two figures, the boy's feet angling away from his mother, the emphasis on the eyes, and the expansion of the dark rectangle to create a sort of Madonna-like "cloth of honor" behind his mother's head as well as many more subtle differences all serve to communicate the emotional pain of the loss of his mother, whom he will never see or touch again, as well as to raise her to the status of immortal icon.
