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This paper introduces the case study of Odaka Yoga, an innovative style of postural yoga blended with martial arts elements which emphasizes the importance of practitioners' health and processes of self-transformation as pivotal to the school's ethos. Theoretically, the paper borrows from Jennings' theory of martial creation and enriches it with some of the central analytical tools proposed by theorists such as Bourdieu and Foucault.
Methodologically, it relies on a multimodal approach including discursive analysis of the school's promotional materials, interviews with the founders and other key teachers, and observant participation of practitioners' apprenticeship processes. More Specifically, this paper discusses the birth of Odaka Yoga as occurring at the intersection of Asian martial arts and yoga, as well as the founders' biographical trajectories from the world of competitive martial arts and fitness, to yoga; it then turns to an examination of Odaka Yoga's conception of health as a mixture of the Western biomedical model and the subtle body model of Asian traditions such as yoga and martial arts.
It argues that the conception of health promoted by this school gives rise to the Odaka Yoga Warrior, the ideal-typical practitioner whose body is simultaneously exposed to the medical gaze and its imperatives of control, knowledge, and manipulation; while it also deifies it, as it is animated by the elusive flows of energy qi or prana that prolonged practice aims to master.
The paper concludes with a reflection on hybrid conceptions of health and the ubiquitous role of health discourses and narratives across sociocultural domains. Martial arts, defined as the combat arts that have developed—and continue to develop—across geographies and cultural contexts all over the globe, are, in the public and popular imagination, tightly connected with spectacular flying kicks, violence, and superhuman powers.