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An overabundance of stray dogs is a clear indication that a society is suffering in general terms. Other, more reliable, estimates guessed at 1, to 3, stray dogs in Detroit. Of course we also know that one way Vladimir Putin went about showing the world that Sochi was a wonderful, developed place was to shoot and poison the massive numbers of stray dogs before any Olympic tourists arrived.
When Spanish photographer Yapci Ramos arrived in Aruba, she noticed a lot of stray dogs. This is not the prostitution of feminist empowerment in this show, but prostitution as a survival mechanism with adverse consequences to the sex worker which are hard if not impossible to capture through the medium of photography. To me Ramos deliberately, perhaps, reveals a significant limitation of photography and, by combining the photos of the dogs and the women, the show seems to acknowledge this limitation and searches for ways to compensate for it.
To what extent can the photographer really capture the process of life that these women are going through? One of the more famous photographers of prostitutes was, of course, E. Bellocq, whose work from about years ago in New Orleans was discovered and promoted by Lee Friedlander in the 60s and 70s. Bellocq, who may have been physically deformed and is therefore sometimes compared to Toulouse Lautrec, seemed to enjoy hanging around the various brothels in town and took photos of the prostitutes he apparently idolized, revealing aspects of individual character in settings that revealed relative comfort.
Ramos seems to present her prostitutes in the type of tradition that can probably be traced back to Bellocq; we do not see them suffering and some even seem content and happy.