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When Arnold Schwarzenegger was asked, why he still goes to the gym at the age of 74, he offered the following explanation: "For the same reason why I am having breakfast today - I had breakfast yesterday, I had breakfast ten years ago. Why am I still sleeping? Training is a part of my life. The sight of a body allows us to guess much of its history, though at the same time it is merely a snapshot of its surfacing layers. The first layers are only partially visible, or no longer visible at all, yet still part of this body's history.
Unlike in human life, where the end is final, a work of art enters into a second, a new life, when the artist's work ends and it spreads it wings in an exhibition space. In the main room Room A of the gallery, one encounters a herd of four-legged, colorful, voluminous bodies pregnant with painting s. Albeit a form of painting that does not claim to be painting in the process of creation, which provokes a painterly freedom and lightness, difficult or even impossible to achieve consciously.
Layer upon layer on different trestles from different painting projects from entirely different periods of time and work. A canvas which became a palette, now becomes a painting - and the painting turns palette again in a rhythm going on for years and years. Usually, after each painted layer, weeks, sometimes months go by, until the surface of the oil paint has dried and the next layer can follow.
Over the years, color accumulates on the canvas in an almost sculptural manner, sometimes even extending beyond the edges. It is a playful and spontaneous approach to painting. Ultimately, art history makes its voice heard anyway and painterly vocabularies from different periods, movements and genres meet, that may never have had any temporal or formal relationship. These pages originate from a s bodybuilding training book, where physical exercises are illustrated with photographic templates.
