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Russian poet and theorist. He is generally seen as the leader of the Russian Symbolist movement in non-visual arts, but he was also closely associated with Symbolist painters and graphic artists through the glossy journals that were mouthpieces for their synthesist philosophy.
His translations of European poets such as Paul Verlaine initially brought him more respect than his early poems. Drawing heavily on formal and technical innovations abroad, Bryusov developed a theory of artistic synthesis that emphasized technical precision and control of form over mimetic or theosophical concerns.
French painter, illustrator and printmaker. During further studies under Puvis de Chavannes, he came into contact with Gustave Moreau. Symbolist paintings followed, drawing on French legend, as in the Song of Roland exh. Salon , and Nordic myth Valkyries , exh. In he rented a studio at Grez-sur-Loing on the edge of the Forest of Fontainebleau. Ursulines drew on observations of the forest, populating its streams with adolescent water nymphs.
American painter and illustrator. He first trained as an architectural draughtsman at the Academy of Design, Chicago By he was working as an illustrator for Century magazine. A realist landscape painter in the 19th-century academic tradition, he was influenced by the painters of the Hudson River school and particularly by the luminist, dream-like landscapes of George Inness. Increasingly drawn to ancient art and Greco-Roman civilization, he eventually identified the archaic with modernism, for example in Belgian painter, sculptor, illustrator, and stage designer.