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A mild annoyance of soft-rock rhythms and airy lyrics perhaps. Now imagine listening to it in a windowless room without sleep, food or comfort. Enhanced interrogation techniques — a euphemism for torture — have been a controversial topic of debate since it came to light that such methods were being used against detainees in the notorious Guantanamo Bay prison.
Now, theatre company 2Magpies have decided to broach the topic in the form of contemporary theatre in their new play, Last Resort. Set in an imagined future where a Cuban holiday resort, complete with deck chairs and cocktails, resides in place of Guantanamo Bay detention centre, Last Resort invites the audience to experience some of these techniques in as entertainment, while raising questions of morality and the human condition.
Music is one technique that the play will draw heavily upon. A lot of it was music that the guards liked to listen to; things that were popular at the time like Eminem and the Red Hot Chilli Peppers. Some things that were just flat out annoying like the Barney the Dinosaur theme song. Barnes and co-creator and co-star Eve Parmiter both have backgrounds in International Politics as well as theatre.
They consulted with three International Relations university professors, Amnesty International, the NGO Reprieve, and a variety of artists from different faith backgrounds and art forms, to examine first-hand accounts from Guantanamo Bay detainees. The multi-sensory experience begins as soon as you enter the theatre. Upon entering, the audience is taken on a disorientating journey to the performance space that mimics the start of the rendition process.