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To browse Academia. Juan C Grijalva. Indigenous peoples, indeed, have resisted centuries of colonialism and neocolonialism, which attempted to strip them of their territories, native languages, and cultural identities. Since the time of Christopher Columbus, the Spanish word indio has been used to imply the racial, cultural, linguistic, and intellectual inferiority of indigenous peoples, yet they have never accepted colonization and exploitation passively.
Indigenous literatures, in particular, are a paradigmatic example of this rich cultural heritage. Based on collective oral traditions myths, rituals, legends, stories, songs, etc. During the last few decades, the production of indigenous literatures has flourished, putting an end to traditional indigenismo and modifying views on national histories of literatures and conventional literary concepts. New multilingual editions and anthologies of indigenous poetry, fictional narratives, and other genres are currently being published, sometimes as the result of literary festivals and workshops, scholarships, and projects with the participation of indigenous peoples.
This new literature is also part of the contemporary social struggle of indigenous communities to affirm their right to live with dignity and preserve their own cultures and languages. Quechua, Kichwa, Aymara, Nahuatl, Maya, and Mapudungun literatures, among many others, allow us to hope that a full social, political, and cultural recognition of indigenous peoples is not so far away. In this bibliographical review, key pre-Hispanic, colonial, modern, and contemporary indigenous authors and works are considered chronologically, giving special priority to indigenous primary sources, and to English translations when they are available.
Mariana Bolfarine. Daniel Eisenberg. Emiro Martinez-Osorio. Dario Borim. Wim Van Mierlo. Elizabeth Monasterios. Anacleto Domingos. Angel Agrawal. Carolina Cardona Delgado.
