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JSngry 20 posts. AllenLowe 8 posts. Big Beat Steve 8 posts. Well, it's what you hear being spoken if you play the original acetate of Robert Johnson's "Crossroads" backwards. So I will take my own sense of it above yours. And the quote itself, if I need to explain, is from an early minstrel song, and placed with both intended and unintended irony.
Kind of a rhetorical double consciousness feel free to look that up. Quelle surprise. But when I said the title was unappealing, that included the subtitle. In fact I have no objection to the main title in isolation. It's the SJW ultra-trendy, dead-horse-flogging concept of cultural appropriation and the smug, elitist, didactic, pedantic, offer to teach me how to do something I've been doing for my whole life that offends my sensibilities.
Plus, I'm just really. Such a prime number is gonna set off my OCD! No matter what the title, Allen's projects are all interesting as hell - no: heaven - musically that is. You won't get better cross-referential American music history. And at that price Poor Mourner Cousins and Demoss Cullen and W.
Old Black Joe Thomas Craig Roll on de Ground Billy Golden Whoa Dar Mule Silas Leachman Creole Bells Metropolitan Orchestra ca. Turkey in the Straw Billy Golden Cakewalk Anonymous NYC. Nobody Bert Williams Banjo Solo Bill Simons Arkansas Traveler Len Spencer. Old Dog Tray Carroll Clark Camp Meeting Jubilee Male Quartette rock and roll? Some of These Days Sophie Tucker Florida rag Van Eps Trio Grizzly Bear Jack Charman wr.