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She is often attracted by minimalist motifs, sometimes reduced to just light and shadows. She is also attracted by the possibilities of stylizing reality in front of the objective and thus all the more inventively works with the psychological aspects of the impact of color. At the same time, however, it is obvious that she is not just striving for beautiful images, but is also trying to use the actual emotions of the effective compositions, visual metaphors and symbols and shape analogies and contrasts, in order to reflexively express her own experiences, sensations and moods.
In addition, several cycles of nude figures, where in recent years experiments with projections, body confrontations and various structures or color shifts prevail over classical concepts, are more about the author's feelings and sensations than they are about the beauty of the human body. This cycle took a long time to create, during a difficult phase in the young photographer's life. The result is a contextually profound and formally refined work, which shows impressively not only the dominating motifs of a lonely person in the middle of a modern city, but also reflects the author's inner world through various image metaphors.
People are somewhat lost in these photographs with dominant green and brown tones; sometimes only their silhouettes are depicted, sometimes we see only blurred fragments of their figures. The leading role is played by the cold, impersonal setting of marble, glass and steel, in which we see lonely pedestrians and in which, like in Plato's cave, we only suspect the reflec-tions of a different, more real and more beautiful world.
Viewers capable of tuning to the author's wavelength and discovering more and more possibilities of interpretation can find the works deeply appealing. For others, they will remain a formal wordplay. Photography Exhibitions Books About Contact.
