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To browse Academia. This paper examines the different approaches that twentieth-century Scottish fiction writers take in constructing a national space in their works. The survey starts at the turn of the twentieth century, characterised by the vogue of the Kailyard School and its idealised portrayals of tightly-knit communities in picturesque rural settings.
Another major phase begins in the s and 30s, when the proletarian novel, depicting the plight of the working class in bleak urban settings, becomes the prominent genre. A recent kailyard avatar appears in the s and 90s in the form of Satanic Kailyard, which reverses the original genre conventions by systematically foregrounding the ugly and the corrupt, whereas the earlier generations insisted on finding the beautiful and the virtuous.
The present work provides a comprehensive treatment of the subject of the Scottish urban novel, combining a chronological and thematic perspective to achieve a greater insight into all aspects of the subject.
The subject is approached through theories of space and place, represented by radical human geographers such as Henri Lefebvre, David Harvey or Edward Soja, and through a moderate Western Marxist approach pertinent to the left-leaning tendencies of the theoreticians of space and of the urban novels referred to.