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Orange Feeling is such a curious phrase to describe. It's the atmosphere and the sunny, wine-carton, or beer-fueled fuzzy feeling inside that this place is unique, like no other festival out there, where you are part of a community that still wears its hippy origins on its sleeve. It's a coalesce of weird experiences that can only be understood by having attended the festival in the past.
On paper, they are disconnected from each other. At Roskilde Festival, they are part of the Orange Feeling that creates memories, much akin to those when you are singing your hearts out or crying to your favorite Blur songs together with All concert photos by Peter Troest unless otherwise noted. Thus the exploration of Roskilde Festival continues on our magazine's part, albeit it's these days more for the atmosphere than a wealth of relevant bands or musical experiences to look out for.
Sure, there were a multitude of primarily fantastic performances, but the breadth is just not there anymore, nor it has been for the better part of the last five to ten years. Indeed - looking through the lineup this year it is truly few and far between solid names when it comes to rock and metal, and all related subgenres. Artists from the punk rock realm and hardcore continue to be shunned, save for the ultra-experimental types Soul Glo is an amazing booking, for instance that typically don't frequent other posters of genre festivals across Europe.
Yet watching Queens Of The Stone Age filling up most of the arena grounds means there is an audience. Blur's gracious handling of Orange Stage was one of the best performances on that scene in years.