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Groucho Marx sent the following wire to a Hollywood club he had joined: "Please accept my resignation. I don't want to belong to any club that will accept me as a member. Jokes that play on self-disparagement should not be taken at face value, as though they were unequivocally sincere expressions of the way in which the jokester actually perceives him- or herself. Sometimes the self-presentation involved is based on a fictional persona, propped up as a target of ridicule, such as the character Jack Benny played in his radio and television shows, when he gave new meaning to the concept of stinginess.
The most memorable radio sketch was the one in which Benny is stopped by a mugger who says something like, "All right, buddy, your money or your life," after which the continuing silence becomes funnier with every passing second. To mistake the fictional character who can't decide whether he cares more about his own life or the money he is carrying at the moment, for the person pretending to be that character, would be stupid, even if one didn't know that in his private life, Benny was notoriously generous in giving to charities.
It is also common for professional entertainers to base their jokes on a potential liability for their career — turning that liability into an asset. This is what George Burns did for decades, with self-disparaging jokes that call the audience's attention to the state of his aging body and his presumed loss of sexual viability.
For example at a show he did in , at the age of 78, he made such cracks as: "At my age, the only thing about me that still works is my right foot — the one I dance with," and "The only thing that gets me excited is if the soup is too hot. One of the all-time classics of self-disparaging humor is Groucho Marx's famous telegram. In reconstructing the situation in which the comedian actually used the telegram, I will try to show in a kind of "case study" of the joke, that the last thing on Groucho's mind was any concern with his own failings as a human being.
