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As a committed non-camper, I arrived at Roskilde , my first time at the festival, on Thursday afternoon.
It had been a long time since I had been such a festival. When I camped at Glastonbury in , I sort of felt I had reached the peak of excitement and discomfort such festivals had to offer, so I was curious to see what more Roskilde had to offer. And I felt excited to be amongst the press this time. My first appointment was a concert on Platform by the experimental and exuberantly playful percussionist, Valentina Magaletti, with whom I had set up an interview after her solo show.
Magaletti is known both in her own right as a composer-performer and for her work with bands like Vanishing Twin a personal favourite of mine , Moin , Holy Tongue and many others as well as her label Permanent Draft, dedicated to promoting music by women, non-binary and trans people.
Playing with a fixed media recording, that Magaletti describes as a diary comprised of poetic, sonic reflections from her travels, she delivered a trance-inducing improvisation that allowed her fascination with this musical performance practice to be shared by anyone who wished to melt into it.