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By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. To browse Academia. The conference was a two-day multidisciplinary exploration and interconnected discussion of this new and vibrant facet of Horror Studies. The issues of normalcy and Otherness, the re-examination and re-evaluation of national identity, and humanity's relationship with the environment, were common threads throughout the two-day conference.
The call for papers had an abundant and enthusiastic response from international scholars and creative practitioners, and was divided into parallel panels packed with diverse content.
Revenant: Critical and Creative Studies of the Supernatural, In this book review I discuss a recently published anthology on "The Scandinavian Horror film". The authors are well aware that the existence of this genre is not to be taken for granted, and instead ponder films by directors ranging from Carl T. Dreyer, Ingmar Bergman to Lars von Trier and beyond, who in their work dealt with horrorful sensations in the past years.
Focussing especially on the sources and means of the horror sensation, the anthology investigates the characteristics and common features of the films in discussion, as well as their US-American adaptations. ISBN pbk , hbk. It must provide definitions, theorization, a canon, and a justification.