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Regardless of the witty irony we displayed, this was an opportunity, no, the only opportunity Nazareth was given to release new music in early All that was required now was the other half of an album. There was no point in arguing over who wrote what. As it turned out, I wrote a lot of it and Dan, Pete and Darrell let me. Most memorable, however, was the one song in which I had absolutely no input. Frank Farian is German. Born in , he was probably too young to appreciate how utterly fucked his country would be by the time he was 4 but, to his credit, he tried.
Frank owned the studio where we were about to start recording No Jive and visited us a few weeks in, with some interesting stories to tell. Those of you old enough will remember Boney M as being pish. Milli Vanilli were that too but also frauds. I pressed the play button. Frank lasted about 30 seconds then ran for the door with haste akin to that of someone reacting to an air raid siren going off. I mention that I pressed the play button.
That was because our sound engineer, Ian Remmer, had been largely banned from the studio and, before adhering to his banishment, had kindly shown me how to operate the studio desk and recording equipment.
This was required to save a life: His. Where he let himself down, however, was not endearing himself to Nazareth. Can you try dampening the strings with your wrist, please?
