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From identity crisis just a few years ago to a renewed purpose and a clear mission is one way to characterize the evolution of Roskilde Festival recently. What at one point was in a serious danger of becoming a Sunny Beach party for electronic raves on the campsite has once again returned to its roots, to the hippie values and inclusiveness of the original founders of the festival, all this without feeling stale and dated in the process.
The increased focus on the 'more than music' ideology has revitalized the quintessential 'Orange Feeling' that the festival has been defined by for decades now.
It has brought diversity and variety back to the camping site, even if some of it has come at the cost of music lineups that are unable to compete against European rivals in an era where genre festivals are marching forward in seemingly unstoppable fashion. So today, my dear reader, I ask you this: what percentage of your decision to buy a DKK ticket to the festival is based on musical preferences only?
The truth is there are Yes, people have always stood in queue long before the festival area opens, but the numbers are increasing every year, and it is already now clear that you could get by watching just one or two bands and the ticket price would still be worth it for the camping experience alone.