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To browse Academia. Jason Nguyen. This paper considers the emergence of French academic classicism in architecture alongside several legally sanctioned building practices in late 17th-century Paris, including newly regulated methods of funding, construction, and speculation.
As opposed to the representational dictates of French Classicism, which granted intellectual authority to historical precedents and mathematical principles, these procedures tested, quantified, and gambled on architecture as a material reality.
As a construction site, the Place des Victoires by Jules Hardouin-Mansart, among others, proves a particular potent case study: Proposed and partially funded by the Duke of La Feuillade to house a royal sculpture by Martin Desjardins, the project involved a complex web of architects, sculptors, craftsmen, and entrepreneurs practicing throughout the speculatively developing quarter of the Butte St.
That the place royale — circular in form and ordered in its ensemble of details — was frequently subject to theoretical analysis proves its engagement with the classical model. Gianmarco Russo. Lazzaro Bastiani distinguishes himself as one of the most interesting yet less considered fifteenth-century Venetian painters.