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The Brumberg sisters are notable in Russian animation because they were among the first generation of animators in the country during the Revolutionary years, a unique environment that allowed women—even Jewish women—to make their way to the top of the industry. The Brumberg sisters were also at the forefront of many technical and aesthetic innovations, such as the projection of animated segments on theatrical stages, the use of paper cut-outs, the integration of folk styles for the stylization of indigenous tales, and the introduction of sound to Soviet animation.
Zinaida also credited the theatrical director Vsevolod Meyerhold and the young Sergei Eisenstein as the primary influences on their student work 4. The new medium of animation, especially in the silent era, was well-suited for the many ethnic nationalities that found themselves absorbed into the Soviet Union.
At a running time of over fifty minutes and a length of 1, meters of film, China Aflame was one of the first feature films in world animation. The film is an unprecedented amalgam of various techniques, with the use of paper cut-outs alongside classical animation while folk-art styles were used to satirize the caricatured bourgeoisie.
The year was a busy one for the Brumberg sisters. Together with the Khodataev siblings, Valentina and Zinaida directed The Samoyed Boy , the first Soviet animated film for children Margolina and Lozinskaia , The film follows the story of a young Eskimo named Chu in the Tundra Nenets language.
