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Published in , Red Flower consists of photographs shot between and in Kin and Koza, two towns in Okinawa, Japan. In cultural context, it shows women who lived freely and loved against racial standards of the time, starting families with the soldiers who were maligned by their own nation. Their playfulness and intimacy are sustained throughout the book.
Throughout Red Flower are short sequences of images focused on specific women, who move between spending time with their friends and partners, to addressing Ishikawa — or her lens — directly. They smoke together in the living room, get dressed, wait outside bars for dates, pose naked with one another, and go to the beach, where they strip down and flash a soldier. Throughout the book are moments where her friends laugh or gesture at her, flash their breasts at her, or are captured with a goofy expression, as though in mid-speech — addressing her and her lens directly.
That sense of these being pictures of daily life is maintained, and you see the group as an undefined whole move forwards through these short vignettes, rather than strict character studies that would run like threads throughout the book.
In terms of political representation, both Okinawans and African Americans still experience great inequity. In the late s, the mainland Japanese government officially annexed the Ryukyuan Islands, renaming them Okinawa and instigating a campaign to erase the local culture and languages.
