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I have still refrained from any detailed or specific spoilers about the plot, particularly its conclusion. That said, if you want to remain completely, utterly, unimpeachably unspoiled and an entirely blank slate for your first reading of the book, read no further! Some books are good; some books are bad; Cristo is… well, you really have to read it to find out.
At times, I thought it little more than dross. At other times, pure genius. The Count of Monte Cristo is a novel of revenge, in which a terribly wronged man, finding himself through luck and excellence in a position of power and wealth, decides to gain revenge on those who have wronged him. Dumas creates a world his readers would have known intimately — a detailed, Parisian world, that seeks to take in all aspects of the society of his time.
There is young Monfort, the trivial and high-strung rich dandy. There is Villefort, the iron man of the law. There is Danglars, prince of the new class of bankers and financial speculators. The women, too, all seeking different ways of asserting independence the villainnesses, that is — the real heroines, obviously, delight in childlike obedience….
That makes this a very different sort of novel from what we may be expecting. Because God is not an understandable character: she is a plot device. The Count emerges from out of the machine largely off-screen , and procedes to Move in Mysterious Ways, remaining remote and inscrutable to both his fellow characters and to us as readers.
