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Unfolding in Bergen County barrios and on Santo Domingo beaches, they feature fast-talking Dominicans from there, from here struggling against the pinions of racial prejudice, poverty, and immigrant status. But the specific focus on romantic relationships is new for Diaz. Each story depicts the complex negotiations between men and women held in thrall by the thrill or ravages of love, the lure and pathos of betrayal. Eight of the nine stories here are narrated by Yunior de Las Casas, the poet and career philanderer whose acerbic silver tongue spoke Diaz's first two books.
Yunior's older now, more contrite and desperate and vulnerable, and his cheating's catching up with him. Like the excuses and alibis he slips his jilted lovers, it's a lie he badly needs us to believe. Even after the cheating, the screaming and hair-pulling, the train-wreck breakups, Yunior's exes haunt him in visceral ways: "The half-life of love is forever," he confesses in the book's final epic "The Cheater's Guide to Love.
In this light, each story is a shrine to the women who, because of his own limitations, Yunior loves most earnestly, and most loyally, in hindsight. Two questions underlie the propulsive energy of this book: Why does Yunior scuttle his relationships as soon as they hit full sail?
And who are these women really? They're never fully visible in the narrator's machismo, anatomical confessions. I discussed these and other questions with the author, who spoke to me by phone from Harlem. How long have you been working on these stories? What's the oldest? The newest? When I was working on Drown —this was way back in the mid-'90s—I had this idea that I wanted to do another collected stories.