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Home Numeros 25 Histoire des femmes et du genre d The memoirs of political prisoners generally articulate the struggle of dissident individuals and political groups to attain a set of basic and often recurrent goals: freedom of expression and affiliation, social and economic security, humane treatment and the right to have a say in the management of state and society.
The student demonstrations of presented the semi-colonial Egyptian state with a new and unique problem: up until that point women prisoners were thought of only as common criminals — drug-dealers, prostitutes sic and murderers. There was no cultural, or indeed logistical and infrastructural possibility for incarcerating a middle-class female revolutionary. Middle-class women, entering the space of the prison for the first time, risked their reputation and honour if they could not assert the decidedly different nature of their kind of imprisonment.
As the years tick by, one conflict or political cause gives rise to another, with the novel gradually revealing itself to be a history of Egyptian protest in the latter half of the 20th century. Still, the novel is also a tale of agency, as embodied in the image of consecutive generations of hopeful youth whom history had called to arms and as exercised by these four women.
Negotiating their position as women political prisoners is still a laboured and thorny exercise, even as she writes in the 21 st century. No one can live alone and unsheltered! The possibility of leading both: impossible. It explores how the prison and repertoires of criminality more generally were indeed central to the operation of these moral tales as a disciplinary mechanism for the differentiation of honourable from fallen women.
